How To and Why
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Good Pictures : A History of Popular Photography by Kim Beil
19.05 × 2.29 × 23.37 cm€32.00Add to cartImage Machine Andy Warhol & Photography: Joseph D.Ketner
30.5 × 23 × 1.4 cm€30.00Read moreImage Machine: Andy Warhol and Photography examines the role of the photograph in Warhol’s art, its relationship to his portrait painting and his late paintings and prints, and his rigorous documentation of his social life. The book is divided into three sections: the first, “Warhol’s Mediated Image,” focuses on the artist’s appropriation of the photographic image, his initial use of the photo booth for portraits, the polaroids and his mature portrait painting process in the 1970s. Direct comparisons are made here between source material and finished work. The second section, “The 80s through the Eyes of Andy,” covers Warhol’s legendary socializing on the New York club scene of the 1980s, and contains his portraits of leading celebrities of the era. Lastly, “The Hand and the Machine” looks at Warhol’s use of photographs to create his late paintings and prints, and features works such as the Self-Portrait wallpaper (1978) and the series Ladies and Gentlemen (1975) and Torsos (1977).
The extent of Andy Warhol’s photographic output has been only recently made apparent, thanks to the efforts of the Warhol photographic Legacy program, which assisted in the production of this volume.
Aperture Masters of Photography: Paul Strand
21 × 21 × 1.5 cm€15.00Read morePaul Strand (1890-1976) was more than a great artist: he was a discoverer of the true potential of photography as the most dynamic medium of the twentieth century. Purity, elegance and passion are the hallmarks of Strand’s imagery. As a youth, Strand studied under Lewis Hine and went on to draw acclaim from such illustrious sources as Alfred Stieglitz. After World War II, Strand traveled around the world to photograph, and, in the process, created a dynamic and significant body of work.
In this redesigned and expanded version of a classic Aperture book, Peter Barberie, Brodsky Curator of Photographs, Alfred Stieglitz Center, Philadelphia Museum of Art, a leading historian on Strand, and curator of the major 2014 retrospective exhibition at the Philadelphia Museum of Art, introduces the work and presents an image-by-image commentary, along with an expanded chronology of the artist’s life.
The Photograph as Contemporary Art: Charlotte Cotton
20 × 15 × 1.5 cm€15.00Add to cartIn the 21st century photography has come of age as a contemporary art form. Nearly two centuries after photographic technology was first invented, the art world has fully embraced it as a legitimate medium, equal in status to painting and sculpture. This book provides an introduction to contemporary art-photography, identifying its most important features and themes and celebrating its exciting pluralism through an overview of its most important and innovative practitioners. The work of nearly 250 photographers is reproduced, from established artists such as Isa Genzken, Jeff Wall, Sophie Calle, Thomas Demand, Nan Goldin, and Sherrie Levine to emerging talents such Walead Beshty, Jason Evans, Lucas Blalock, Sara VanDerBeek, and Viviane Sassen.
This new edition brings the story of contemporary art photography up to date with a revised introduction outlining the evolution of photography from documentary tool to art form, and an updated final chapter focusing on the younger generation of artists who emphasize the technical and material properties of photography, employ it as part of a wider pan-media practice, or respond to evolving new modes of dissemination in the digital age.
Susan Sontag: On Photography
18 × 11 × 1.7 cm€14.20Add to cartSusan Sontag’s On Photography is a seminal and groundbreaking work on the subject.
Susan Sontag’s groundbreaking critique of photography asks forceful questions about the moral and aesthetic issues surrounding this art form. Photographs are everywhere, and the ‘insatiability of the photographing eye’ has profoundly altered our relationship with the world. Photographs have the power to shock, idealize or seduce, they create a sense of nostalgia and act as a memorial, and they can be used as evidence against us or to identify us. In these six incisive essays, Sontag examines the ways in which we use these omnipresent images to manufacture a sense of reality and authority in our lives.
Regarding the Pain of Others: Susan Sontag
19.5 × 12.5 × .8 cm€13.00Add to cartRegarding the Pain of Others is Susan Sontag’s searing analysis of our numbed response to images of horror.
From Goya’s Disasters of War to news footage and photographs of the conflicts in Vietnam, Rwanda and Bosnia, pictures have been charged with inspiring dissent, fostering violence or instilling apathy in us, the viewer. Regarding the Pain of Others will alter our thinking not only about the uses and meanings of images, but about the nature of war, the limits of sympathy, and the obligations of conscience.John Gutmann Photographer at Work: Sally Stein
30.5 × 24 × 2 cm€39.60Read moreThis handsome book acknowledges Gutmann’s place in the history of photography. Drawing on his archive of photographs and papers at the Center for Creative Photography, it presents both unfamiliar works and little-known contexts for his imagery, linking his photography to his passionate interest in painting and filmmaking, his collections of non-Western art and artifacts, and his pedagogy. In addition to a major essay by Sally Stein, the volume includes an introduction by Douglas R. Nickel, and an overview of the Gutmann archive by Amy Rule.
PHOTOFILE: Anders Petersen
19 × 12.5 × 1 cm€14.10Read moreBorn in Stockholm in 1944, Petersen studied photography under Christer Strömholm at his famous Fotoskalen from 1966 to 1968. He is perhaps best known for his book of reportage, Café Lehmitz, which was first published in 1978 and is now recognized as one of the classics of post-war European photography. In it, he captured a time and place now long gone —a bar on Hamburg’s Reeperbahn teeming with prostitutes, dropouts, and the fringe elements that went to make up a warm-hearted family of non-conformists with whom he identified. In 1970, he co-founded SAFTRA, the Stockholm group of photographers, and has since gone on taking photographs in his own unique fashion, following the rhythms of his own life.
PHOTOFILE: Joel-Peter Witkin
19 × 12.5 × 1 cm€14.10Read moreWith his focus on the “disagreeable beauty” of the anomalous and the transgressive, Joel-Peter Witkin’s images are edgy and disturbing. Influenced by artists from Giotto to the Surrealists, by daguerreotypes and the work of Bellocq, his portraits and complex tableaux incorporating corpses, hermaphrodites, masks, and mutilation provoke and challenge the viewer.
PHOTOFILE: Daido Moriyama
19 × 12.5 × 1 cm€14.10Read moreDaido Moriyama first came to prominence in the mid-1960s with his gritty depictions of Japanese urban life. He draws inspiration from the trenchent social critiques produced by photographer Shomei Tomatsu, William Klein’s confrontational photographs of New York, Andy Warhol’s silkscreened multiples of newspaper images, and the writings of Jack Kerouac and Yukio Mishima. His highly innovative and intensely personal photographic approach often incorporates high contrast, graininess, and tilted vantages to convey the fragmentary nature of modern realities.
PHOTOFILE: Sarah Moon
19 × 12.5 × 1 cm€14.10Add to cartSince the beginning of her photography career, Sarah Moon has always sought to evoke the transience of beauty and the fragility of dreams. In her delicate, ethereal style, she has shot some of the most creative advertising campaigns of recent years and her work has been featured in many major magazines, including Vogue and Harper’s Bazaar. Winner of the ICP Infinity Award among other honors, she continues to produce a diverse body of work that also includes film.
PHOTOFILE: Man Ray
19 × 12.5 × 1 cm€12.70Read moreOne of the most famous artists of the twentieth century, a Dadaist and pioneer of Surrealism, Man Ray (1890-1976) became involved with photography in 1914.
He was soon experimenting with different processes—solarization, negative images, multiple exposures—and in 1921 he created the “rayograph.” This volume collects together the best of his experimental work, as well as portraits of some of the most important figures in modern art.
