How To and Why
Showing 1–16 of 29 results
The Street Photographer’s Manual by David Gibson, with foreword by Matt Stuart
23 × 18 × 1.5 cm€18.00Read more
Good Pictures : A History of Popular Photography by Kim Beil
19.05 × 2.29 × 23.37 cm€32.00Add to cart
Image Machine Andy Warhol & Photography: Joseph D.Ketner
30.5 × 23 × 1.4 cm€30.00Read moreImage Machine: Andy Warhol and Photography examines the role of the photograph in Warhol’s art, its relationship to his portrait painting and his late paintings and prints, and his rigorous documentation of his social life. The book is divided into three sections: the first, “Warhol’s Mediated Image,” focuses on the artist’s appropriation of the photographic image, his initial use of the photo booth for portraits, the polaroids and his mature portrait painting process in the 1970s. Direct comparisons are made here between source material and finished work. The second section, “The 80s through the Eyes of Andy,” covers Warhol’s legendary socializing on the New York club scene of the 1980s, and contains his portraits of leading celebrities of the era. Lastly, “The Hand and the Machine” looks at Warhol’s use of photographs to create his late paintings and prints, and features works such as the Self-Portrait wallpaper (1978) and the series Ladies and Gentlemen (1975) and Torsos (1977).
The extent of Andy Warhol’s photographic output has been only recently made apparent, thanks to the efforts of the Warhol photographic Legacy program, which assisted in the production of this volume.
Aperture Masters of Photography: Paul Strand
21 × 21 × 1.5 cm€15.00Read morePaul Strand (1890-1976) was more than a great artist: he was a discoverer of the true potential of photography as the most dynamic medium of the twentieth century. Purity, elegance and passion are the hallmarks of Strand’s imagery. As a youth, Strand studied under Lewis Hine and went on to draw acclaim from such illustrious sources as Alfred Stieglitz. After World War II, Strand traveled around the world to photograph, and, in the process, created a dynamic and significant body of work.
In this redesigned and expanded version of a classic Aperture book, Peter Barberie, Brodsky Curator of Photographs, Alfred Stieglitz Center, Philadelphia Museum of Art, a leading historian on Strand, and curator of the major 2014 retrospective exhibition at the Philadelphia Museum of Art, introduces the work and presents an image-by-image commentary, along with an expanded chronology of the artist’s life.
Susan Sontag: On Photography
18 × 11 × 1.7 cm€14.20Read moreSusan Sontag’s On Photography is a seminal and groundbreaking work on the subject.
Susan Sontag’s groundbreaking critique of photography asks forceful questions about the moral and aesthetic issues surrounding this art form. Photographs are everywhere, and the ‘insatiability of the photographing eye’ has profoundly altered our relationship with the world. Photographs have the power to shock, idealize or seduce, they create a sense of nostalgia and act as a memorial, and they can be used as evidence against us or to identify us. In these six incisive essays, Sontag examines the ways in which we use these omnipresent images to manufacture a sense of reality and authority in our lives.
Regarding the Pain of Others: Susan Sontag
19.5 × 12.5 × .8 cm€13.00Read moreRegarding the Pain of Others is Susan Sontag’s searing analysis of our numbed response to images of horror.
From Goya’s Disasters of War to news footage and photographs of the conflicts in Vietnam, Rwanda and Bosnia, pictures have been charged with inspiring dissent, fostering violence or instilling apathy in us, the viewer. Regarding the Pain of Others will alter our thinking not only about the uses and meanings of images, but about the nature of war, the limits of sympathy, and the obligations of conscience.
John Gutmann Photographer at Work: Sally Stein
30.5 × 24 × 2 cm€39.60Read moreThis handsome book acknowledges Gutmann’s place in the history of photography. Drawing on his archive of photographs and papers at the Center for Creative Photography, it presents both unfamiliar works and little-known contexts for his imagery, linking his photography to his passionate interest in painting and filmmaking, his collections of non-Western art and artifacts, and his pedagogy. In addition to a major essay by Sally Stein, the volume includes an introduction by Douglas R. Nickel, and an overview of the Gutmann archive by Amy Rule.
PHOTOFILE: Anders Petersen
19 × 12.5 × 1 cm€14.10Read moreBorn in Stockholm in 1944, Petersen studied photography under Christer Strömholm at his famous Fotoskalen from 1966 to 1968. He is perhaps best known for his book of reportage, Café Lehmitz, which was first published in 1978 and is now recognized as one of the classics of post-war European photography. In it, he captured a time and place now long gone —a bar on Hamburg’s Reeperbahn teeming with prostitutes, dropouts, and the fringe elements that went to make up a warm-hearted family of non-conformists with whom he identified. In 1970, he co-founded SAFTRA, the Stockholm group of photographers, and has since gone on taking photographs in his own unique fashion, following the rhythms of his own life.
PHOTOFILE: Joel-Peter Witkin
19 × 12.5 × 1 cm€14.10Read moreWith his focus on the “disagreeable beauty” of the anomalous and the transgressive, Joel-Peter Witkin’s images are edgy and disturbing. Influenced by artists from Giotto to the Surrealists, by daguerreotypes and the work of Bellocq, his portraits and complex tableaux incorporating corpses, hermaphrodites, masks, and mutilation provoke and challenge the viewer.
PHOTOFILE: Daido Moriyama
19 × 12.5 × 1 cm€14.10Read moreDaido Moriyama first came to prominence in the mid-1960s with his gritty depictions of Japanese urban life. He draws inspiration from the trenchent social critiques produced by photographer Shomei Tomatsu, William Klein’s confrontational photographs of New York, Andy Warhol’s silkscreened multiples of newspaper images, and the writings of Jack Kerouac and Yukio Mishima. His highly innovative and intensely personal photographic approach often incorporates high contrast, graininess, and tilted vantages to convey the fragmentary nature of modern realities.