Twenty years after Modern Lovers, a body of work on androgyny and transgender created when AIDS was at its peak, Bettina Rheims now presents Gender Studies. In the light of current controversial debates on gender theory, Rheims’s models display remarkable courage by questioning, modifying and celebrating their identities.
William E. Jones is an artist and filmmaker born in Ohio and now living and working in Los Angeles. He has made two feature length experimental films, Massillon (1991) and Finished (1997), the documentary Is It Really So Strange? (2004), videos including The Fall of Communism as Seen in Gay Pornography (1998) and many installations. His work has been the subject of retrospectives at Tate Modern (2005), Anthology Film Archives (2010), the Austrian Film Museum and Oberhausen Short Film Festival (both 2011). His group shows include the 1993 and 2008 Whitney Biennials, the 53rd Venice Biennale (2009), and “Untitled (Death by Gun)” at the 12th Istanbul Biennial (2011). He has published the following books: Is It Really So Strange? (2006), Tearoom (2008), Selections from The Anatomy of Melancholy by Robert Burton (2008), Heliogabalus (2009), “Killed”: Rejected Images of the Farm Security Administration (2010), andHalsted Plays Himself (2011).
