Description
Born in Stockholm in 1944, Anders Petersen studied photography under Christer Strömholm at his famous Fotoskalen from 1966 to 1968. He is best known for his book of reportage, Café Lehmitz, which was first published in 1978 and is now recognized as one of the classics of post-war European photography. Foregrounding the marginal, he captured a time and place now long gone —a bar on Hamburg’s Reeperbahn teeming with sex workers, dropouts, and the fringe elements that went to make up a warm-hearted family of non-conformists with whom he identified. In 1970, he co-founded SAFTRA, the Stockholm group of photographers, and has since gone on taking photographs in his own unique fashion, following the rhythms of his own life.
Photofile:
This series brings together the best work of the world’s greatest photographers, in an attractive format at an affordable price. Handsome and collectible, this series is produced to the highest standards. Each volume contains some sixty full-page reproductions, a critical introduction, and a full bibliography. the series was awarded the first annual prize for distinguished photographic books by the International Center of Photography, New York.
Also available to order today from our specialist bookstore in this series:
PHOTOFILE: Anders Petersen
€14.10
Born in Stockholm in 1944, Petersen studied photography under Christer Strömholm at his famous Fotoskalen from 1966 to 1968. He is perhaps best known for his book of reportage, Café Lehmitz, which was first published in 1978 and is now recognized as one of the classics of post-war European photography. In it, he captured a time and place now long gone —a bar on Hamburg’s Reeperbahn teeming with prostitutes, dropouts, and the fringe elements that went to make up a warm-hearted family of non-conformists with whom he identified. In 1970, he co-founded SAFTRA, the Stockholm group of photographers, and has since gone on taking photographs in his own unique fashion, following the rhythms of his own life.
Out of stock
Description
Born in Stockholm in 1944, Anders Petersen studied photography under Christer Strömholm at his famous Fotoskalen from 1966 to 1968. He is best known for his book of reportage, Café Lehmitz, which was first published in 1978 and is now recognized as one of the classics of post-war European photography. Foregrounding the marginal, he captured a time and place now long gone —a bar on Hamburg’s Reeperbahn teeming with sex workers, dropouts, and the fringe elements that went to make up a warm-hearted family of non-conformists with whom he identified. In 1970, he co-founded SAFTRA, the Stockholm group of photographers, and has since gone on taking photographs in his own unique fashion, following the rhythms of his own life.
Photofile:
This series brings together the best work of the world’s greatest photographers, in an attractive format at an affordable price. Handsome and collectible, this series is produced to the highest standards. Each volume contains some sixty full-page reproductions, a critical introduction, and a full bibliography. the series was awarded the first annual prize for distinguished photographic books by the International Center of Photography, New York.
Also available to order today from our specialist bookstore in this series:
Additional information
Related products
photofile: Henri Cartier-Bresson
Revelations: Diane Arbus
Diane Arbus Revelationsaffords the first opportunity to explore the origins, scope, and aspirations of what is a wholly original force in photography. Arbus’s frank treatment of her subjects and her faith in the intrinsic power of the medium have produced a body of work that is often shocking in its purity, in its steadfast celebration of things as they are. Presenting many of her lesser-known or previously unpublished photographs in the context of the iconic images reveals a subtle yet persistent view of the world.
PHOTOFILE: Joel-Peter Witkin
With his focus on the “disagreeable beauty” of the anomalous and the transgressive, Joel-Peter Witkin’s images are edgy and disturbing. Influenced by artists from Giotto to the Surrealists, by daguerreotypes and the work of Bellocq, his portraits and complex tableaux incorporating corpses, hermaphrodites, masks, and mutilation provoke and challenge the viewer.
Silent Dialogues: Alexander Nemerov
Silent Dialogues, by art historian Alexander Nemerov, is a probing, intimate reflection about photographer Diane Arbus, the author’s aunt, and her brother, Pulitzer Prize–winning poet Howard Nemerov, the author’s father. “I have no memories of Diane Arbus,” begins Alexander Nemerov in the first of two meditative essays that comprise this book. “A Resemblance” examines Howard Nemerov’s complicated responses to his sister’s photography. “The School” focuses on a body of Arbus’ work known as the Untitled series, photographs made at residences for the mentally disabled between 1969 and 1971, in the last years of her life. Through their work, the author explores the siblings’ disparate and distinct sensibilities, and in doing so uncovers signs of an unexpected aesthetic kinship. Illustrations complementing the essays include numerous examples of Arbus’ photographs; paintings by artists as diverse as Pieter Brueghel, Norman Rockwell, Paul Feeley and Johannes Vermeer; and a selection of poems by Howard Nemerov, chosen by his son.